Bhanu

ভানুসিংহ

Rabindranath Tagore (Bengali: [ɾobind̪ɾonat̪ʰ ʈʰakuɾ] ; 7 May 1861 – 7 August 1941), was a Bengali poet, author, playwright, musician, composer, philosopher, social reformer, painter, and one of the foremost figures of the Bengal Renaissance. In 1913, Tagore became the first Asian to win a Nobel Prize in any category, and also the first lyricist and non-European to win the Nobel Prize in Literatu...

Rabindranath Tagore (Bengali: [ɾobind̪ɾonat̪ʰ ʈʰakuɾ] ; 7 May 1861 – 7 August 1941), was a Bengali poet, author, playwright, musician, composer, philosopher, social reformer, painter, and one of the foremost figures of the Bengal Renaissance. In 1913, Tagore became the first Asian to win a Nobel Prize in any category, and also the first lyricist and non-European to win the Nobel Prize in Literature. A significant moulder of culture within Bengal and the Indian subcontinent, he wrote and composed the national anthems of India and Bangladesh. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. He was the author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali. Tagore's poetic songs were viewed as spiritual and mercurial; his elegant prose and magical poetry were widely popular in the Indian subcontinent. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by the sobriquets Gurudeb, Kobiguru, and Bishwokobi. A Bengali Brahmin from Calcutta with ancestral gentry roots in Jessore and Bardhaman districts, Tagore wrote poetry as an eight-year-old. At the age of sixteen, he released his first substantial poems under the pseudonym Bhānusiṃha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent critic of nationalism, he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in his founding of Visva-Bharati University. Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced), and Ghare-Baire (The Home and the World) are his best-known works. His poetry, short stories, and novels were both praised and criticised for their lyricism, colloquial tone, naturalism, and philosophical introspection. His compositions were chosen by two nations as national anthems: India's "Jana Gana Mana" and Bangladesh's "Amar Sonar Bangla". The Sri Lankan national anthem was also inspired by his work. His song "Banglar Mati Banglar Jol" has been adopted as the state anthem of West Bengal. Family background The name Tagore is the anglicised transliteration of Thakur. The original surname of the Tagores was Kushari. They were Pirali Brahmin ('Pirali' historically carried a stigmatised and pejorative connotation; an insult that ostracised Piralis from other Brahmin sub-castes) who originally belonged to a village named Kush in the district named Burdwan in West Bengal. The biographer of Rabindranath Tagore, Prabhat Kumar Mukhopadhyaya wrote in the first volume of his book Rabindrajibani O Rabindra Sahitya Prabeshak that The Kusharis were the descendants of Deen Kushari, the son of Bhatta Narayana; Deen was granted a village named Kush (in Burdwan zilla) by Maharaja Kshitisura, he became its chief and came to be known as Kushari. Life and events Early life: 1861–1878 The youngest of 13 surviving children, Tagore (nicknamed "Rabi") was born on 7 May 1861 in the Jorasanko mansion in Calcutta, the son of Debendranath Tagore (1817–1905) and Sarada Devi (1830–1875). Tagore was raised mostly by servants; his mother had died in his early childhood, and his father travelled widely. The Tagore family was at the forefront of the Bengal renaissance. They hosted the publication of literary magazines; theatre and recitals of Bengali and Western classical music featured there regularly. Tagore's father invited several professional Dhrupad musicians to stay in the house and teach Indian classical music to the children. Tagore's oldest brother Dwijendranath was a philosopher and poet. Another brother, Satyendranath, was the first Indian appointed to the elite and formerly all-European Indian Civil Service. Yet another brother, Jyotirindranath, was a musician, composer, and playwright. His sister Swarnakumari became a novelist. Jyotirindranath's wife Kadambari Devi, slightly older than Tagore, was a dear friend and powerful influence. Her abrupt suicide in 1884, soon after he married, left him profoundly distraught for years. Tagore largely avoided classroom schooling and preferred to roam the manor or nearby Bolpur and Panihati, which the family visited. His brother Hemendranath tutored and physically conditioned him—by having him swim the Ganges or trek through hills, by gymnastics, and by practising judo and wrestling. He learned drawing, anatomy, geography and history, literature, mathematics, Sanskrit, and English—his least favourite subject. Tagore loathed formal education—his scholarly travails at the local Presidency College spanned a single day. Years later, he held that proper teaching does not explain things; proper teaching stokes curiosity. After his upanayan (coming-of-age rite) at age eleven, Tagore and his father left Calcutta in February 1873 to tour India for several months, visiting his father's Shantiniketan estate and Amritsar before reaching the Himalayan hill station of Dalhousie. There Tagore read biographies, studied history, astronomy, modern science, and Sanskrit, and examined the classical poetry of Kālidāsa. During his 1-month stay at Amritsar in 1873 he was greatly influenced by melodious gurbani and Nanak bani being sung at Golden Temple, for which both father and son were regular visitors. He writes in his My Reminiscences (1912):The golden temple of Amritsar comes back to me like a dream. Many a morning have I accompanied my father to this Gurudarbar of the Sikhs in the middle of the lake. There the sacred chanting resounds continually. My father, seated amidst the throng of worshippers, would sometimes add his voice to the hymn of praise, and finding a stranger joining in their devotions they would wax enthusiastically cordial, and we would return loaded with the sanctified offerings of sugar crystals and other sweets. He wrote 6 poems relating to Sikhism and several articles in Bengali children's magazine about Sikhism. Poems on Guru Gobind Singh: নিষ্ফল উপহার Nishfal-upahaar (1888, translated as "Futile Gift"), গুরু গোবিন্দ Guru Gobinda (1899) and শেষ শিক্ষা Shesh Shiksha (1899, translated as "Last Teachings") Poem on Banda Bahadur: বন্দী বীর Bandi-bir (The Prisoner Warrior, written in 1888 or 1898) Poem on Bhai Torusingh: প্রার্থনাতীত দান (prarthonatit dan – Unsolicited gift) written in 1888 or 1898 Poem on Nehal Singh: নীহাল সিংহ (Nihal Singh) written in 1935. Tagore returned to Jorosanko and completed a set of major works by 1877, one of them a long poem in the Maithili style of Vidyapati. As a joke, he claimed that these were the lost works of newly discovered 17th-century Vaiṣṇava poet Bhānusiṃha. Regional experts accepted them as the lost works of the fictitious poet. He debuted in the short-story genre in Bengali with "Bhikharini" ("The Beggar Woman"). Published in the same year, Sandhya Sangit (1882) includes the poem "Nirjharer Swapnabhanga" ("The Rousing of the Waterfall"). Shilaidaha: 1878–1901 Because Debendranath wanted his son to become a barrister, Tagore enrolled at a public school in Brighton, East Sussex, England in 1878. He stayed for several months at a house that the Tagore family owned near Brighton and Hove, in Medina Villas; in 1877 his nephew and niece—Suren and Indira Devi, the children of Tagore's brother Satyendranath—were sent together with their mother, Tagore's sister-in-law, to live with him. He briefly read law at University College London, but again left, opting instead for independent study of Shakespeare's plays Coriolanus, and Antony and Cleopatra and the Religio Medici of Thomas Browne. Lively English, Irish, and Scottish folk tunes impressed Tagore, whose own tradition of Nidhubabu-authored kirtans and tappas and Brahmo hymnody was subdued. In 1880, he returned to Bengal degree-less, resolving to reconcile European novelty with Brahmo traditions, taking the best from each. After returning to Bengal, Tagore regularly published poems, stories, and novels. These had a profound influence within Bengal itself but received little national attention. In 1883, he married 10-year-old Mrinalini Devi, born Bhabatarini, 1873–1902 (this was a common practice at the time). They had five children, two of whom died in childhood. In 1890, Tagore began managing his vast ancestral estates in Shelaidaha (today a region of Bangladesh); he was joined there by his wife and children in 1898. Tagore released his Manasi poems (1890), among his best-known work. As Zamindar Babu, Tagore criss-crossed the Padma River in command of the Padma, the luxurious family barge (also known as "budgerow"). He collected mostly token rents and blessed villagers, who in turn honoured him with banquets—occasionally of dried rice and sour milk. He met Gagan Harkara, through whom he became familiar with Baul Lalon Shah, whose folk songs greatly influenced Tagore. Tagore worked to popularise Lalon's songs. The period 1891–1895, Tagore's Sadhana period, named after one of his magazines, was his most productive; in these years he wrote more than half the stories of the three-volume, 84-story Galpaguchchha. Its ironic and grave tales examined the voluptuous poverty of an idealised rural Bengal. Santiniketan: 1901–1932 In 1901 Tagore moved to Santiniketan to found an ashram with a marble-floored prayer hall—The Mandir—an experimental school, groves of trees, gardens, a library. There his wife and two of his children died. His father died in 1905. He received monthly payments as part of his inheritance and income from the Maharaja of Tripura, sales of his family's jewellery, his seaside bungalow in Puri, and a derisory 2,000 rupees in book royalties. He gained Bengali and foreign readers alike; he published Naivedya (1901) and Kheya (1906) and translated poems into free verse. In 1912, Tagore translated his 1910 work Gitanjali into English. While on a trip to London, he shared these poems with admirers, including William Butler Yeats and Ezra Pound. London's India Society published the work in a limited edition, and the American magazine Poetry published a selection from Gitanjali. In November 1913, Tagore learned he had won that year's Nobel Prize in Literature: the Swedish Academy appreciated the idealistic—and for Westerners—accessible nature of a small body of his translated material focused on the 1912 Gitanjali: Song Offerings. He was awarded a knighthood by King George V in the 1915 Birthday Honours, but Tagore renounced it after the 1919 Jallianwala Bagh massacre. Renouncing the knighthood, Tagore wrote in a letter addressed to Lord Chelmsford, the then British Viceroy of India, "The disproportionate severity of the punishments inflicted upon the unfortunate people and the methods of carrying them out, we are convinced, are without parallel in the history of civilised governments...The time has come when badges of honour make our shame glaring in their incongruous context of humiliation, and I for my part wish to stand, shorn of all special distinctions, by the side of my countrymen." In 1919, he was invited by the president and chairman of Anjuman-e-Islamia, Syed Abdul Majid to visit Sylhet for the first time. The event attracted over 5000 people. In 1921, Tagore and agricultural economist Leonard Elmhirst set up the "Institute for Rural Reconstruction", later renamed Shriniketan or "Abode of Welfare", in Surul, a village near the ashram. With it, Tagore sought to moderate Gandhi's Swaraj protests, which he occasionally blamed for British India's perceived mental – and thus ultima