Liz English

The Aristocats is a 1970 American animated musical comedy film produced by Walt Disney Productions and distributed by Buena Vista Distribution. Directed by Wolfgang Reitherman, and based on a story by Tom McGowan and Tom Rowe, it was the final Disney animated film released during studio co-founder Roy O. Disney's tenure before his death on December 20, 1971. Set in Paris, the plot follows a family...

The Aristocats is a 1970 American animated musical comedy film produced by Walt Disney Productions and distributed by Buena Vista Distribution. Directed by Wolfgang Reitherman, and based on a story by Tom McGowan and Tom Rowe, it was the final Disney animated film released during studio co-founder Roy O. Disney's tenure before his death on December 20, 1971. Set in Paris, the plot follows a family of aristocratic cats who are set to gain their mistress's fortune, much to the dismay of her butler. Thrown into the countryside, the family is helped by a feral cat as they attempt to return to their mistress's home. The film stars the voices of Phil Harris, Eva Gabor, Hermione Baddeley, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. The Aristocats project began as an original script for a two-part live-action episode for Walt Disney's Wonderful World of Color, developed by McGowan, Rowe, and producer Harry Tytle starting in 1962. Following two years of rewrites, Tytle suggested the project would be more suitable for an animated film, which Disney temporarily shelved while The Jungle Book (1967) advanced into production. When The Jungle Book was nearly complete, Walt Disney appointed Ken Anderson to develop preliminary work on The Aristocats, making it the last film project to be personally approved by Walt before his death. Longtime Disney collaborators Robert and Richard Sherman composed multiple songs for the film, though only two made it in the finished product. The Aristocats was released on December 24, 1970, to generally positive reviews from film critics. It was also a commercial success. Plot In 1910, mother cat Duchess and her three kittens, Berlioz, Marie, and Toulouse, live in Paris with retired opera diva Madame Adelaide Bonfamille, and her English butler, Edgar. The cats are pampered pets that live a luxurious lifestyle and are very cultured in art and music, like their owner. While preparing her will with elderly lawyer Georges Hautecourt, Madame declares that her vast fortune will be first left to her cats, then revert to Edgar once they all die. Edgar overhears this through a speaking tube and, after erroneously calculating that he will die before he can claim his inheritance, plots to eliminate the cats. He sedates them by putting sleeping pills in a dish of cream, then drives them on his motorcycle out to the countryside in a basket. There, he is ambushed by two hounds named Napoleon and Lafayette, losing his hat, sidecar, umbrella, shoes, and the basket before escaping. The cats are left stranded in the countryside, while Madame Adelaide, Roquefort the mouse, and Frou-Frou the horse discover their absence. The next morning, Duchess meets a feral cat named Thomas O'Malley, who offers to guide her and the kittens to Paris. The group briefly hitchhikes in a milk truck before being chased out by the driver. Later, while crossing a railroad trestle, the cats narrowly avoid an oncoming train, and Marie falls into a river. O'Malley immediately dives in and rescues her, and is himself rescued by Amelia and Abigail Gabble, two English geese on holiday. The geese lead the cats to the outskirts of Paris, then depart to reunite with their inebriated Uncle Waldo. Meanwhile, Edgar returns to the countryside to retrieve his possessions (the only evidence that can incriminate him) from Napoleon and Lafayette and, after some difficulty, ultimately succeeds. Traveling across the rooftops of the city, the cats meet up with O'Malley's friend Scat Cat who performs the song "Ev'rybody Wants to Be a Cat" with several other cat musicians. After the band has departed, O'Malley and Duchess converse on a nearby rooftop while the kittens listen at a windowsill. Duchess' loyalty to Madame prompts her to decline O'Malley's marriage proposal. The next day, Duchess and the kittens return to Madame's mansion. Edgar finds them before Madame does, and places them in a sack, deciding to ship them to Timbuktu. Roquefort catches up with O'Malley at Duchess' instruction, and O'Malley returns to the mansion, sending Roquefort to find Scat Cat and his gang. Though he struggles to explain the situation to the alley cats, Roquefort successfully brings them to O'Malley's aid. O'Malley, the alley cats, and Frou-Frou fight Edgar, while Roquefort frees Duchess and the kittens. At the end of the fight, Edgar is locked in his own packing-case and sent to Timbuktu. The Aristocats return to Madame Adelaide, who, unaware of the reason for Edgar's departure, rewrites her will to exclude him. After adopting O'Malley into the family, Adelaide establishes a charity foundation, housing stray cats in the mansion. Scat Cat and his gang are the first to move in, and reprise their song so loudly that the two hound dogs can hear it out in the countryside. Voice cast Phil Harris as J. Thomas O'Malley (full name: Abraham de Lacy Giuseppe Casey Thomas O'Malley) – A feral cat who befriends Duchess and her kittens, becoming a father figure and a step-father to the kittens and falling in love with Duchess. For cultural reasons, the Italian dubbing of the film changes him to Romeo, er mejo der Colosseo ("Romeo, the best [cat] of the Colosseum" in Romanesco dialect), an Italian cat from Rome speaking with a strong Roman accent; the reason for this change is that alley cats were well known for frequenting the Colosseum at the time. Eva Gabor as Duchess – Madame Adelaide's refined and elegant Turkish Angora cat and mother of the three kittens, who believes she is forced to choose between loyalty to Madame and her own attachment to Thomas O'Malley at the end of the film. Robie Lester provided the singing voice for Duchess. Gary Dubin as Toulouse – The oldest kitten, who idolizes all alley cats, especially O'Malley. He wants to appear tough, but is actually fairly laidback and easygoing. He is also a talented painter, loosely based on French painter Henri de Toulouse-Lautrec. Liz English as Marie – The middle kitten and the only girl. She is a dreamer. She comes off as spoiled, often imperious, sassy or snobbish towards her brothers, but does her best to be a "lady" like her mother. She is an accomplished singer. She is named after the queen of France Marie Antoinette. Dean Clark as Berlioz – The youngest kitten. He may seem quiet, but is quite mischievous. He is sweet-natured, but easily annoyed and hard to impress, often the first to make a snide remark. He is a talented pianist, named after the French composer Hector Berlioz. Sterling Holloway as Roquefort – A house mouse and a friend of the cats who assists in the expulsion of Edgar. Scatman Crothers as Scat Cat – O'Malley's best friend and leader of a gang of jazz-playing alley cats. Scat Cat plays the trumpet. Paul Winchell as Shun Gon – A Chinese cat in Scat Cat's gang. He plays both the piano and drums made from pots. Lord Tim Hudson as Hit Cat – An English cat in Scat Cat's gang. He plays acoustic guitar. Vito Scotti as Peppo – An Italian cat in Scat Cat's gang. He plays the concertina. Thurl Ravenscroft as Billy Boss – A Russian cat in Scat Cat's gang. He plays the double bass. Nancy Kulp as Frou-Frou – Madame Adelaide's Palomino carriage horse and Roquefort's companion, who subdues Edgar. Ruth Buzzi provided her singing voice. Pat Buttram as Napoleon – A bloodhound who attacks Edgar when he intrudes on the farm where he lives. Whenever his cohort Lafayette makes a suggestion, Napoleon insists that he is in charge, then adopts Lafayette's suggestion as his own. George Lindsey as Lafayette – A Basset Hound and Napoleon's companion. He sometimes proves smarter than Napoleon but is also more timid. Hermione Baddeley as Madame Adelaide Bonfamille – A wealthy former opera singer and the owner of Duchess and her kittens. Charles Lane as Georges Hautecourt – Adelaide's eccentric lawyer, who is also her oldest friend. He is extremely lively, despite his advanced age. Roddy Maude-Roxby as Edgar Balthazar – Adelaide's greedy but dim-witted butler, who tries to get rid of her cats in order to inherit her fortune. Monica Evans as Abigail Gabble – Amelia's twin sister, a goose who befriends the cats. Carole Shelley as Amelia Gabble – Abigail's twin sister, a goose who befriends the cats. Bill Thompson as Uncle Waldo – The drunken gander uncle of Abigail and Amelia. This was Thompson's final film role. Peter Renaday as French Milkman, Le Petit Cafe Cook, and Truck Movers (uncredited) Production Story development On December 9, 1961, Walt Disney suggested that Harry Tytle and Tom McGowan find some animal stories to adapt as a two-part live-action episode for the Wonderful World of Color television program. By New Year's 1962, McGowan had found several stories including a children's book about a mother cat and her kittens set in New York City. However, Tytle felt that the London setting had added a significant element to One Hundred and One Dalmatians (1961) and suggested setting the story of the cats in Paris. Following a rough storyline, the story became about two servants—a butler and a maid—who were in line to inherit a fortune of an eccentric mistress after the pet cats died and focused on their feeble and foolish attempts to eliminate the felines. Boris Karloff and Françoise Rosay were in mind to portray the butler and the distressed Madame. A subplot centered around a mother cat hiding her kittens to keep them out of danger in a variety of different homes and locales around Paris. During the filming of Escapade in Florence (1962), McGowan brought Tytle the story that had been written by Tom Rowe, an American writer who was living in Paris. By August 1962, they sent the completed story treatment to Burbank, where it was returned as "rejected" by the Disney studios. McGowan, upset at the rejection, suggested selling the treatment elsewhere, but later learned Disney was staying at the Connaught in London. McGowan then slipped the treatment into an envelope for Disney to read at the hotel desk. Disney contacted McGowan, stating he had liked the treatment and would meet with Tytle in Lisbon, Portugal. On August 29, during their flight back to London, Disney told Tytle to purchase the story for a live-action theatrical film, with McGowan as director. Disney also recommended further story revisions, one of which was eliminating one of the kitten characters. The script revisions were later made in January and February 1963. In June 1963, Rowe had written a letter to Disney addressing his displeasure of the script revisions, in which Tytle responded to Rowe that the changes Disney approved of would be kept. However, the project was temporarily shelved, and in August 1963, Tytle suggested that The Aristocats should be reworked into an animated feature, to which Disney agreed. At Disney's recommendation, Tytle presented the project to Wolfgang Reitherman, who was directing The Jungle Book (1967), who agreed it would work as an animated film. For that reason, Disney temporarily shelved the project as the animation department was occupied with The Jungle Book (1967). In April 1964, story artist Otto Englander was assigned to work on the project. In November 1964, during a story meeting, Disney felt the cats should talk amongst themselves but never in front of the humans, in a similar approach as in One Hundred and One Dalmatians (1961). Because of the production delays, studio producer Bill Anderson advised Tytle to centralize his efforts on live action projects, and he was subsequently replaced by Winston Hibler. In 1966, Disney assigned Ken Anderson to determine whether The Aristocats would be suitable for an animated feature. With occasional guidance from Reitherman, Anderson worked from scratch and simplified the two stories into one that focused more on the cats. Disney saw the preliminary sketches and approved the project shortly before his death. After The Jungle Book (1967) was completed, the animation department began work on The Aristocats. Reitherman